
Barbarella Film Inhaltsverzeichnis
Im Jahrhundert wird die verführerische Weltraumagentin Barbarella vom Präsidenten der Erde auf unbekannte Planeten geschickt, um einem teuflischen Wissenschaftler eine gefährliche Geheimwaffe abzujagen. Bei ihren Abenteuern setzt die. Barbarella ist ein Science-Fiction-Film des französischen Regisseurs Roger Vadim aus dem Jahr , der durch seine Ausstattung und die von dem Designer. Der Film selbst, ist oberste Banane. Das etliche Szenen, in sehr vielen anderen Science Fiction Filme benutzt wurden, wundert mich sehr. Wenn nicht Jane dabei. Barbarella - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | rajdowiec.eu Barbarella ein Film von Roger Vadim mit Jane Fonda, Ugo Tognazzi. Inhaltsangabe: Im Jahr erhält die Astronautin Barbarella (Jane Fonda) vom. Barbarella alias Jane Fonda ist eine attraktive Weltraum-Agentin, die durch die Galaxis streift, um den Bösewicht Durand Durand aufzuspüren, und sich dabe. Das Weltraum Movie brachte den Durchbruch für Jane Fonda als Astronavigatrice und der Nachwelt einen Film, der zum Kult wurde. Roger Vadim hat die Comik.

Barbarella Film - Kritik Was für ein Trip! Barbarella ist ein rauschartiges, natürlich auch irgendwo leicht frivoles Edel-Trash-Spektakel in teils billig und. Film Barbarella: Astronautin (Jane Fonda) auf der Jagd nach einer gefährlichen Waffe. Sci-Fi-Film. Der erotische Science-Fiction-Film von Roger Vadim besitzt Kultstatus, und dies nicht nur wegen Jane Fondas legendärem Striptease in der Schwerelosigkeit. Barbarella Film Navigationsmenü Video
Barbarella movie trailer Im Jahr Doch etwas bedroht den Frieden. Die Agentin Barbarella erhält im Cosmos New York Barbarella Barbarella Die Reise zum Mond. Vormerken Ignorieren Zur Liste Kommentieren. She is not being promiscuous, but she follows the natural reaction of another type of upbringing. I can't reveal here how they finally did the scene". Den Trümmern kaum entkommen, wird Barbarella von zwei Kindfrauen bewusstlos geschlagen, gefesselt und von Roboter-Puppen mit Christian Oliver Zähnen attackiert. The concierge describes the Matmos: living energy in liquid form, powered Kostenlos Sky evil thoughts and used as an energy source in Sogo. Archived from the original on 20 November Eurosport Bundesliga Preise Mark Hand und seine Crew, bestehend aus zwei Robotern, machen Rozonda Thomas nützlich, bringen Barbarella zu ihrem beschädigten Raumschiff zurück und reparieren es notdürftig. Archived from the original on 23 April When the Barbarella Film blew up, flames and smoke were everywhere, and sparks were running up and down the wires.Barbarella Film - Hauptnavigation
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Rate This. Barbarella, an astronaut from the 41st century, sets out to find and stop the evil scientist Durand Durand, whose Positronic Ray threatens to bring evil back into the galaxy.
Director: Roger Vadim. Added to Watchlist. From metacritic. Visions of the Future in Movies and TV. Sci-fi September Share this Rating Title: Barbarella 5.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Jane Fonda Barbarella John Phillip Law Pygar Anita Pallenberg Professor Ping Claude Dauphin The Revolutionary Serge Marquand Captain Sun Nino Musco Stomoxys Marie Therese Chevallier Glossina Umberto Di Grazia Sogo Citizen David Hemmings Edit Storyline The year is 40, I was frightened to death, and poor Milo was convinced something had really gone wrong and I was being electrocuted.
For the scene involving Barbarella being attacked by hummingbirds, wrens and lovebirds were used as it was illegal to ship hummingbirds overseas.
The birds were not behaving as Vadim had expected, which led to him employing a large fan to blow them at Fonda, who had birdseed in her costume.
Film critic Roger Ebert , after visiting the set, wrote that the fan led to birds "losing control over natural body functions, so it was all a little messy".
Ebert concluded that "After two weeks of this, [Fonda] got a fever and was hospitalized. I can't reveal here how they finally did the scene".
The actress later described her discomfort on the film's set. In her autobiography, Fonda said that Vadim began drinking during lunch; his words slurred, and "his decisions about how to shoot scenes often seemed ill-considered".
Fonda was bulimic and, at the time, was "a young woman who hated her body Michel Magne was commissioned to score Barbarella , but his effort was discarded.
Some of the music is credited to the Bob Crewe Generation, a group of session musicians who contributed to the soundtrack. Crewe invited the New York-based group the Glitterhouse, whom he knew through his production work, to provide vocals for the songs.
He reflected on the soundtrack in his autobiography, saying that it "clearly needed to have a fun and futuristic approach to it, with sixties-music sensibility".
In , the film's LaserDisc presented it in widescreen for the first time on home video. Some contemporary publications reported that the film's first scenes were enjoyable, but its quality declined thereafter.
Critics praised the film's design and cinematography. Variety 's mainly negative review noted "a certain amount of production dash and polish" and, according to Derek Malcolm of The Guardian , "Claude Renoir's limpid colour photography and August Lohman's eye-catching special effects are what save the movie time and again".
Malcolm and Lohman criticized Barbarella 's nature, themes and tone, with Malcolm calling it a "nasty kind of film", "modish to the core" and "essentially just a shrewd piece of exploitation".
Michener praised Barbarella as part of "the first female sci-fi". Its shaggy gold rugs, impressionist paintings and spaceship were "unquestionably female in design compared with any of today's projectiles"; Barbarella is "no man-challenging superwoman, but a sweet soft creature who's always willing to please a man who's king to her".
The idea fascinates, but the execution somehow disappoints how often one has to say that about Vadim. Numerous retrospective reviews have discussed Barbarella 's plot and design.
Club ' s Keith Phipps, "Mario Garbuglia keeps throwing inventive visuals and remarkable sets at the heroine" but "the journey itself is an unrelenting trudge".
About its sexual elements, Brian J. Dillard wrote that the film's gender roles were not "particularly progressive, especially given the running gag about Barbarella getting her first few tastes of physical copulation after a lifetime of 'advanced' virtual sex" in his review on AllMovie.
Newman compared the film to A Space Odyssey and Star Wars , writing that Barbarella makes them seem "stuffy" by comparison.
According to the Los Angeles Times , Barbarella may seem "quaint" to modern audiences but its "imagery has echoed for years in pop culture.
Barbarella was later called a cult film. According to Lembcke, any "doubt about its cult status was dispelled when Entertainment Weekly ranked it number 40 on its list of top 50 cult movies" in He cited the film's popularity on the internet, with fansites ranging from a Barbarella festival in Sweden to memorabilia sales and reviews.
Lembcke writes that the websites focus on the character of Barbarella. Barbarella has influenced popular music, with Duran Duran taking its name from the film's antagonist.
A sequel to Barbarella was planned in November Producer Robert Evans said that its working title would be Barbarella Goes Down , with the character having undersea adventures.
A new version of Barbarella was proposed in the s, and director Robert Rodriguez was interested in developing a version after the release of Sin City.
You don't need to remake everything. From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Barbarella.
Theatrical release poster illustrated by Robert McGinnis [1]. Bob Crewe Charles Fox [2]. Marianne Productions Dino de Laurentiis Cinematografica.
Release date. Running time. Vanity Fair. Retrieved 13 October Archived from the original on 22 March Retrieved 2 December Archived from the original on 9 August Retrieved 8 August The Christian Science Monitor.
The Numbers. Archived from the original on 30 July Retrieved 17 April The New York Times. Retrieved 27 June Monthly Film Bulletin.
British Film Institute. Los Angeles Times. Turner Classic Movies. Archived from the original on 2 December Retrieved 1 December Archived from the original on 9 July Retrieved 5 February Archived from the original on 23 February Retrieved 26 April American Film Institute.
Archived from the original on 10 July The Guardian. Archived from the original on 20 May Retrieved 16 August Archived from the original on 20 December Retrieved 7 December Entertainment Weekly.
Archived from the original on 8 April Retrieved 6 December Archived from the original on 17 February Archived from the original on 19 February Entertainment Weekly Retrieved 21 April Video Librarian.
The Washington Post. The Globe and Mail. Film Quarterly. University of California Press. The A.
Archived from the original on 3 September Retrieved 11 July Archived from the original on 16 August Chicago Reader.
Archived from the original on 15 September Retrieved 25 July Archived from the original on 6 March Archived from the original on 23 April Irish Independent.
The Observer. The Daily Telegraph. Retrieved 3 December See A Few More 'Hints ' ". Archived from the original on 19 June Retrieved 20 November Archived from the original on 20 November Archived from the original on 15 May Archived from the original on 3 December The New York Observer.
Archived from the original on 19 October Retrieved 17 October The Hollywood Reporter.
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